The best American TV show modified at the UK show is ranked

summation

• The US adaptation expands the scope, adds new characters, and re -involves the British show by culturally translating the original concept.

• The symbolic US adaptation, such as “Queer As Folk” and “The Office”, has set up a new standard for LGBTQ+ expression and mock style sitcom.

• Shows like “Sanford and Son” and “All in the Family” broke the barriers to black expressions and reconstructed US TVs by solving important social problems.

Sometimes, the US television brought a cue across the pond and changed the original British original to the American sense. The US television has a long and attractive history of taking a great concept in the UK and reinstating it for the national audience, and is more than an exchanging an accent with an accent.

From symbolic sitcoms to sharp political satire Best American TV Adaptation Do not say the same story again. They respect the spirit of the predecessors of the UK, and re -order and recharge the original concept for freshmen, the original concept that reconstructs the characters, settings and themes for freshmen. As a result, some of the best American TV shows that started their Life in the UK have been ranked due to creative re -creation and cultural impacts.

8

Queer Queer (2000-2005)

British Original: Queer As Folk (1999)

Show time Queer as people Not only did he adapt to the Russell T Davies' British series, but also took the frank portrait of gay life and made both the range and the steak. The American version of the United Kingdom, followed by three men sailing in Manchester's gay village, expanded to Pittsburgh's entire ensemble, exploring the lives of five gay men, lesbian couples, and their expanded “chosen family.”

The US series began with a critical approach to solving problems from HIV/AIDS to marriage equality on the first homosexual sex scene on American TVs. Despite the lack of diversity and criticism of certain stereotypes Queer as people In the mainstream media in the United States, we opened a true LGBTQ+ expression.

7

Three 'S Company (1976-1984)

British source: A man about home (1973-1976)

The sitcom almost pulled out slapstick sex. Three companies. Adapt A man about homeThe US version has added a twist of “gay in” to change the behavior to Santa Monica and appease the landlord, and relied on a wider humor and physical comedy.

The symbolic JACK Tripper and Pratfalls and Double Entenders of John Ritter have been completed, and the Jack Triper has changed the show to an instant classic to win both Emmy and Golden Globe. A place where the original British traded with gentle wit and social observation Three companies Due to confusion, I changed the misunderstanding every day to a comedy gold.

6

Sanford and Son (1972-1978)

British source: Stepto and son (1962–1974)

Norman Lear 's Sanford and Son I took a British working class comedy Stepto and son In the 1970s, I imagined it as a groundbreaking black sitcom in Los Angeles. While the UK is using a mixed comedy with Pathos Sanford and Son He focused on pure humor and push pool mechanics between Fred and his son Lamon.

The show broke the barriers to black expressions and quickly became a rating power and influenced the generation of sitcoms in the future. The success showed how cultural translation could create something important to American audiences when it ended with heart and sincerity.

5

Shameless (2011–2021)

British source: bold (2004–2013)

Paul Abbott's original followed Manchester's chaotic gallery clan, but the American version rooted the family to the south of Chicago and made the story more sharply. William H. Macy's Frank Gallagher is a master class of tragedy and comedy, and Emmy Rossum's Fiona brings the adhesive grit and mind of the family.

The actual differentiation of this adaptation was the willingness to convey the vivid and filtered appearance of the Gallaghers for 11 seasons and the vivid and filtered of the poverty, addiction and elasticity of the United States. bold It is not a remake of British classic. It will be necessary to see Dark Comedy's achievement on American TVs, and to see for fear -centered character -centered storytelling fans.

4

House of Cards (2013–2018)

British source: Card house (1990)

When Netflix started the first original drama, the United States chose the BBC's Machiavellian political thriller. Card house. Kevin Spacey's Frank Underwood, which converts Westminster to Washington, is all southern charm and cold ambitions and attracted viewers to the dark heart of American politics.

Robin Light's Claire Underwood proves that a much more central character than the UK is ruthless of all bits. The adaptation of the United States embraces darker and darker tones in the era of anti -hero TV. Despite the controversial last season, the influence of the series on political dramas and digital TVs cannot be denied.

3

VEEP (2012–2019)

British source: Its thick (2005–2012)

The political satire brand of Armando Iannucci has made a leap from HBO to Washington. VeepJulia Louis-Dreyfus starred as a pleasantly absorbed Selina Meyer. While British Its thick He stumbled the British government with rapid swear words and legendary Tirades of Malcolm Tucker. Veep I found my own grooves inside by sending an absurdity of American power.

All episodes are a showcase of PR disasters, employee inability and self -ambitions that cause Cringe. Veep The storyline often feels uncomfortable with actual political mistakes and solidifies the status as a modern political satire.

2

All families (1971-1979)

British source: Until we die (1965-1975)

Norman Lear 's All of the families The British show did not apply. I changed my US television forever. I was inspired by the UK Until we dieThe show makes Archie Bunker the anti -hero of the age group by putting the prejudice of the working class and the conflict of the generation in front and center.

From racism to women's rights and Vietnam war, everything deals with everything All of the families Shattered taboo, laughter, and humor mixes with true pathos. The show was gained 22 Primetime Emmy Awards, including four O'Connor and three stapleton. All of the families The British show did not apply. It basically changed the landscape of the American sitcom, proving that comedy could be a powerful power of social commentary.

1

Office (2005-2013)

British source: office (2001-2003)

At the top position is a show that does not adapt to the British classic. It has become a phenomenon in itself. office (US) Ricky Gervais and Stephen Merchaant have been mocked, and after the first season, I imagined it again for the American audience with warmth, optimism and endless lease value.

The American version expands the character arc and evolves beyond the UK's roots, providing emotional rewards such as JIM and PAM's romance. The moment is valuable in the same meme like “That's what she said!” And the perfect harmony of awkwardness and mind has transcended the show more time. A few years after the finale, it is one of the most stream and re -photographed sitcoms.