SMALL DETAILS IN BLEACH TYBW PART 3 ED YOU MISSED

Key Takeaways

• BLEACH: The Thousand Year Blood War Part 3 ending theme “Monochrome” cleverly reflects major events such as Yhwach's rise to power.
• The ending sequence contains Easter eggs symbolizing important plot points such as the Schutzstaffel and polar themes.
• Uryū Ishida's Schrift “The Antithesis” allows you to reverse events between two targets, unleashing powerful abilities.

The following contains heavy, plot-breaking spoilers for BLEACH: Thousand-Year Blood War, available on Hulu and Disney+.

Bleach: Thousand Year Blood War Part 3 is well-paced and, like its predecessors, features dazzling opening and ending sequences that cleverly reflect the events that occur during the season. The ending theme of Part 3 is 'Monochrome' sung by Suiso, and in episode 6, Yhwach successfully assimilates the Soul King and completely revamps the royal palace into a fortress that showcases his ideals as a bastion of the new world, the true world.

Fans who paid attention to the ending Bleach: Thousand Year Blood War You may have noticed something different in the ending sequence after episode 6, but it may have gone unnoticed by others. The angel is in the details.

Part 3 Ending: New World Edition

colorful easter eggs

The original ending was Bleach: Thousand Year Blood War Part 3 You can find it above for easy reference. The first image we see in the ending is a juxtaposition of Yhwach's Welt and the ruined Seireitei on the left, with a blood-red sky on the other side, seemingly standing in a row. This is a reference to the fact that the Vandenreich were hiding in the shadows of Soul Society, but their existence was revealed after the invasion, so Belt is on the light side of the image and Soul Society is on the dark side.

As soon as Suisoh's vocals begin, the image shifts to Yhwach and posts the activation of The Almighty, which almost gives the impression that we have to associate what was said with him. After Yhwach, we get similar close-ups of Uryū and Ichigo before seeing the broken pieces of crystal that once imprisoned the Soul King. Some are amber-colored while others are light blue, and are set against the backdrop of a strange staircase that separates Ichigo and Uryū, with Uryū displacing crystal shards associated with their associated colors. Uryū faces left, where Welt was, and Ichigo faces right.

Continue to search for answers to unresolved papers while making choices until you die.

Then I remember where we came from, the lives we could never interact with

No one is allowed to use the scale.

Because it collapses in an instant

So by what standards can we measure ourselves?

Instead, I hold on to your words that gave meaning to my heart

This sequence begins with a montage of still images of other characters, starting with Captain Kyо̄raku and his lieutenant Ise Nanao. Pan across the messed up background of the Seireitei as more Gotei 13 officers appear. Battle of Nemu Kurotsuchi, Mayuri, Byakuya, Renji, Kenpachi, Rukia and others. The members of Yhwach's Schutzstaffel then appear in a similar fashion, with noticeably cooler colors than what the Shinigami got. This continues the concept of polarity that was a core tenet of the final arc. bleach.

There are moments where the crystal shard reflects the faces of various Reapers or Quincy, but what's significant about this shard is that it comes from the forked remains of the Soul King. What is interesting about the ending sequence of the entire movie? thousand year blood clot The arc is that they are always closely connected to the main events or related things that happen in each part. Simply put, there are two ending sequences in which the aforementioned elements appear in one way before Yhwach creates the Wahr Welt and in another way after Uryū defeats Renji. The second ending sequence features the same imagery as before, but with a twist, and for a very good reason. This is a reflection of Uryū Ishida's Schrift.

Contrast: A figure of speech in which ideas, words, clauses, or sentences appear to contradict each other within a balanced grammatical structure.

Sternritter A – Opposite of

A twist of events on a scale that changes fate

You may be wondering when Uryū's nickname was revealed in the anime. It wasn't like that. In the anime, we've already seen Uryū use the relevant ability several times. This is especially true in the first episode of Part 3, titled “A”, where Uryū removes himself from Shutara Senjumaru's fate-sealing ability. Select Bankai and immediately kill her where the other members of the Schutzstaffel fell. Uryu Ishida is Sternritter A – The Antithesis and Schrift's powers are similar to Jugram Haschwalth's B – The Balance in that they involve reversing events or concepts, but according to Yhwach, this Schrift is associated with the power of Almighty God to change the future. Compete. .

Through contrast, Uryū is able to undo the events that occurred between the two subjects, such as how Yhwach allowed Kirio Hikifune's Cage of Life to escape by replacing the Quincy King with the Quincy medallion he threw from the cage, or how he wrapped Senjumaru in his own. You can. The fabric of fate, or how it flips the relationships between various parts of an ending sequence, making what came before what becomes after and vice versa.

If Uryū takes heavy damage from an enemy, he can exchange events (injuries caused by the enemy) between the targets (himself and the enemy), but it is important to link the target to reverse the events. each other due to that incident. Therefore, no matter how powerful your ability is, you cannot simply inflict wounds on yourself and send those wounds to your enemies. The ending sequence going backwards shows the concept behind Uryū's Schrift, and interestingly, the part of the sequence where Ichigo, Uryū and Yhwach come into view and open their eyes also depicts Yhwach's belief that he can undo the Almighty. Closing one's eyes once again is likened to returning to the state before waking up. The Soul King's crystal can also be seen repairing itself in the “True World” version of the ending theme.