How different is Sylvia's animation and web comic design?

summation

• In the adaptation of TBATE, Silvia's character design is very different from the source data, so it is rarely recognized.

• Animation design emphasizes the threat and powerful appearance of Sylvia compared to the more grounded and less overtop version of the web comic.

• Fans are more terrible in Sylvia's black armor in the animation, but they prefer the form of a web comic and the mysterious appearance.

~ Inside End Animation adaptation, Silvia's character design is divided into fans due to deviations with source materials. Some have been impressed with her new look, but others are disappointed. Changing the design of the character is not rare in the adaptation of animation, but in Sylvia, the difference is so important that it is hardly recognized.

Sylvia is a key character End. She accidentally finds the life of Arthur when she falls from the cliffs to protect her mother. She spends four months with Arthur in a cave in a narrow area between Beast Glades and Elshire Forest. It does not take long for two people to form a strong bond when they find comfort in each other's existence.

Animation, web comic and novel Silvia's character design

Visual comparison

• First animation exterior: Episode 1
• First web comic shape: Chapter 12
• First novel exterior: Chapter 8

Sylvia seems to be almost unnoticed in animation adaptation. End Due to the rapid change in her character design. At first glance, she is mysterious and magical energy similar to ancient divinity. In fact, she was able to doubles the body of Ainz OOAL gown. overload Of course, with her bride -like silhouette and exaggerated shoulder structure.

On the other hand, in the web comic, Sylvia appears as a humanoid monster with shining red eyes and two huge horns with twisted horns in her head. Her design is much simpler. This is because she is noticeable, but not as terrible or terrible as the opponent of the animation. Compared to the animation version that seems to have been selected directly from the duel card game, WebComic's take is more ground and less.

“Silvia was a living concrete of phrases, do not judge the book as a cover.” -Arthur Leywin

On the contrary, the novel depicts Silvia's design as a towering monster over 10 meters and has two huge horns with red eyes and two huge horns. There are two additional fangs that can be seen on the lips. Arthur also depicts her smooth black armor, and it shines like a treasure without decoration or decoration.

Aesthetic difference

Sylvia's animation exterior is much more dramatic and ominous than web comic designs. She looks incredibly powerful with a sharp feature that emphasizes the same head as a dragon, and gives her more ignorant. Noticeably, long, long -running black cloaks improve her silhouette, adding to her dominance to forcibly forced her. Her draconic characteristics are more emphasized in the animation, and the thick tail pronounces the nature of her beast with a thick tail stretched behind her. When you first see Sylvia, the shocking response of Arthur can be fully understood given how her design is overwhelming with the monster.

On the contrary, in the web comic, Sylvia's appearance is more weak and looks more evidence and a clear devil. Due to her armor, she is similar to the tyrant or article from the afterlife and is dignified but holding a quiet air of authority. As if she is a cursed being that she can be released from a long and sad fate, her appearance is unforgettable. Sylvia's animation design exudes ancient power, but fans sometimes find that the web comic design is cute and lovely.

“She reminded her because she was soft and kind.” -Arthur Leywin

Regarding the form of Sylvia's dragon, the animation is pale compared to the web comic version. Sylvia seems to be confident and mysterious in web comics, but her animation form is especially flat and overwhelming when placed next to Arthur. Disappointed, she is not similar to the dragon in the animation. Her design depends more on Pegasus' design, so many fans point out and agree.

Color palette

Despite the aesthetic differences, the animation and web comic versions share a similar color palette dominated by a cool and dark tone with black and gray shades. The most eye -catching details of both designs can be worn with Sylvia's brilliance.

Why did the animation change the design of Silvia?

Which is better?

There is no reason to adapt to animation accurate End Changed Silvia's character design. Perhaps the producers wanted to make Sylvia more threatening and influential in the form of a black armor, so they chose a design that emphasized power and threats rather than sticking to the original appearance. In a fair way, Silvia looks 10 times more difficult in animation than a web comic. But with overwhelming animation quality End So far, Sylvia's new character design has not been valued or liquid.

“Hate and revenge to blur the heart only harms you” -Sylvia to arthur liywin

Regarding Sylvia's black armor form, most fans find much more terrible animation design than web comics. Her towering height and draconic characteristics are definitely added to the threats, so she looks more scary to her small Arthur. However, in relation to the form of Sylvia's dragon, the animation design is less than the web comic. The golden runes, wings and overall magnificent web comic versions are disappointed in the animation and the dragon is flat. Nevertheless, many viewers hope that the animation will be able to restrain themselves when more episodes are released.